N PORTER SADDLE VALUE FULL 1931 N

N.Porter Saddles & Harness Company employed two dozen or more master.They are, however, just three of the 3,000 custom horse saddles Thompson has built since he opened shop in 1962. Fair market values for the vintage saddles on a secondary market are The most important factor in determining the value of your antique trunk is rarity. Obviously selling a saddle in the middle of a major metropolitan area would not be as prudent as where it would be h useful. In excellent condition 1930s saddles retail between 1100-1500 dollars based on condition as well as regional demand. Porter while later pieces have the bulls head logo. Earlier pieces have the signature of N.

Their saddles were world famous for being among the finest made.вЂњWell, whatвЂ™s fun is to take that big chunk of leather and turn it into usable art,вЂќ Thompson says, chatting from his shop in bucolic Ogden Valley. N.Porter Saddles & Harness Company employed two dozen or more master craftsmen, who tooled and sewed the saddles. Porter Saddle & Harness Company remained family owned and operated until the closing of the business in the mid 1960s. Army for two years, and then landed in Huntsville, where heвЂ™s been making horse saddles ever since.The N. Read Brothers Saddlery in Ogden in 1960, Thompson served in the U.S.

N Porter Saddle Value Full 1931 N

He says most saddle makers вЂ” of which he guesses there are still about 10 in Utah вЂ” have done the same.The shop smells musky and manly from the leather and elbow grease over the years. Amounts shown in italicized text are for items listed in currency other than Canadian dollars and are approximate conversions to Canadian dollars based upon Bloombergs conversionFor five decades, Thompson has crafted custom leather horse saddles in here, mostly after hours and on weekends because he held full-time jobs along the way. Sterling silver buckles and ornaments, silver. Items include saddles, Justin boots, English saddlery, English and polo goods, leather coats and jackets, Pendleton shirts and blankets, chaps, Stetson hats, saddle bags, belts. Soild tree, 15in seat, does however need to be be relined, and some small repairs made on the stirrups, but overall In pretty good condition for its age.This rare catalog includes hundreds of photos and line drawing depictions of the full 1931 N. Spring grasses are verdant, and mountains tower in all directions.1950s N Porter roping saddle - 500 (Tehama county) 1950s N Porter roping saddle.

And, most importantly, labor. ThereвЂ™s the leather, sugar pine or ponderosa wood for the saddle tree, wax nylon to hold it all together, and, finally, brass rigging. ThereвЂ™s even a photo of former Utah Governor Norman Bangerter, who kept a Thompson saddle вЂ” with a stamped-out вЂњThe GuvвЂќ вЂ” in his office and sat in it frequently, Thompson says.вЂњI have really enjoyed making these custom saddles, mostly the challenge that people bring to you because they want this or that,вЂќ Thompson says, adding that the way of making a custom saddle hasnвЂ™t changed in all of these years. Each queen won a Thompson saddle for her first place finish since the saddles range from $3,000 to $8,000, thatвЂ™s quite a trophy. Signed photos from numerous Ogden Rodeo Queens and Utah Rodeo Queens are hung above the entryway. Various knick knacks are scattered about.Stacked in the backroom are old saddles, weathered with a beautiful patina.

Usually, folk arts are learned from a master through an apprenticeship. This includes two of his sons and one daughter, making it a family affair.This means of passing along knowledge is one reason that saddlery making is an important folk, or traditional, art. HeвЂ™s also thought of as a master maker, one who has trained around 10 apprentices. It now resides in UtahвЂ™s permanent folk arts collection.Thompson is regraded highly within the industry вЂ” itвЂ™s a mark of esteem to own a Thompson saddle. The saddle also made rounds throughout Utah on display at various cultural exhibits.

Thompson says that some 15 years ago, he was making upwards to 20 saddles per year and now production is down to just a handful in the past few years.The folk who buy custom-made saddles are generally professional horsepeople вЂ” ranchers, horse trainers, and so on вЂ” who sit in them all day and enjoy their comfort and personalized fit. вЂњBy learning this art form and making it a priority to become a skilled craftsman, you not only express yourself, but ensure that the legacy of the craft will continue.вЂќItвЂ™s important for these arts to remain alive as the old ways make room for the new. вЂњItвЂ™s not only intergenerational, but itвЂ™s something that is shared among the same subculture or cultural community creating a sense of value and what keeps them together.вЂќвЂњItвЂ™s always a concern that the lifestyle of buckaroos or horsepeople are starting to die out,вЂќ Decker says. Other traditional arts in Utah include rawhide braiders, horsehair hitching, blacksmiths, and hatmakers.вЂњA folk art is something that has time depth associated with it,вЂќ says Adrienne Decker, folk arts specialist for Utah Division of Arts & Museums.